(Raag Deepchandi)
Nand Ko Laal Gopal Maal Ura, Bhramata Rahata Nav Baal Ke Chaayan.
Khanjana Naina Baina Mana Ranjana, Anjana Naina Maina Sakuchayana. [1]
Lalit Kishori Heri Itai Kita Jahi Utai Nija Sahaja Subhayana.
Kadamba Ki Kunja Kutira Kahun Vaha Hvai Hai Palotata Radhika Payana. [2]
- Shri Lalit Kishori, Abhilash Madhuri, Phutkar Pad (49)
Adorned with a flower garland, Nanda’s son Śrī Kṛṣṇa hovers bumblebee‑like, yearning for Śrī Rādhā’s lotus face. Her wagtail eyes, soft words, gentle smile, and kohl‑lined gaze humble even Cupid’s pride. [1]
Wherever Lalitā Kiśorī Śrī Rādhā glances, there Śrī Kṛṣṇa’s eyes naturally turn. Seated in a kadamba kuñja’s charming bower, Śrī Kṛṣṇa finds ultimate bliss massaging and serving Śrī Rādhā’s lotus feet. [2]
Nand Ko Laal Gopal Maal Ura, Bhramata Rahata Nav Baal Ke Chaayan.
Khanjana Naina Baina Mana Ranjana, Anjana Naina Maina Sakuchayana. [1]
Lalit Kishori Heri Itai Kita Jahi Utai Nija Sahaja Subhayana.
Kadamba Ki Kunja Kutira Kahun Vaha Hvai Hai Palotata Radhika Payana. [2]
- Shri Lalit Kishori, Abhilash Madhuri, Phutkar Pad (49)
Adorned with a flower garland, Nanda’s son Śrī Kṛṣṇa hovers bumblebee‑like, yearning for Śrī Rādhā’s lotus face. Her wagtail eyes, soft words, gentle smile, and kohl‑lined gaze humble even Cupid’s pride. [1]
Wherever Lalitā Kiśorī Śrī Rādhā glances, there Śrī Kṛṣṇa’s eyes naturally turn. Seated in a kadamba kuñja’s charming bower, Śrī Kṛṣṇa finds ultimate bliss massaging and serving Śrī Rādhā’s lotus feet. [2]