(Kavitt)
Alabeli Sukumari Nainani Ke Aagain Rahai,
Jab Lagi Preetam Ke Praan Rahain Tan Mein. [1]
Yahai Jiy Jaani Pyari Ranch Kau Na Hoti Nyari,
Tinahin Ke Prem-Rang Rangi Rahi Man Mein. [2]
Param Praveen Gori Haav Bhaav Mein Kisori,
Naye-Naye Chhabi Ke Tarang Uthain Chhin Mein. [3]
‘Hit Dhruv’ Preetam Ke Nain-Meen Ras-Leen,
Khelivau Karat Din-Prati Roop Ban Mein. [4]
- Shri Dhruvdas, Byalees Leela, Shrignar Shat (1.45)
Śrī Śyām Sundar feels alive as long as Śrī Priyā Jī (Rādhārānī), soft and tender like a flower, stays in front of his eyes. [1]
Thus, Śrī Priyā Jī [Rādhārānī] understands His feelings well, thus never separates from Him even for half a moment and remains always drenched in His love-sentiments. [2]
The fair-complexioned Śrī Rādhā, who is ever-young, is naturally expert in the divine pastimes of love and plunged in the ever-new tides of transcendental beauty. [3]
Śrī Hit Dhruvdās Ji says that the eyes of Śrī Śyām Sundar, immersed in love like fish in water, continuously play and ripple in the reservoir of Priyā’s form without pause. [4]
Alabeli Sukumari Nainani Ke Aagain Rahai,
Jab Lagi Preetam Ke Praan Rahain Tan Mein. [1]
Yahai Jiy Jaani Pyari Ranch Kau Na Hoti Nyari,
Tinahin Ke Prem-Rang Rangi Rahi Man Mein. [2]
Param Praveen Gori Haav Bhaav Mein Kisori,
Naye-Naye Chhabi Ke Tarang Uthain Chhin Mein. [3]
‘Hit Dhruv’ Preetam Ke Nain-Meen Ras-Leen,
Khelivau Karat Din-Prati Roop Ban Mein. [4]
- Shri Dhruvdas, Byalees Leela, Shrignar Shat (1.45)
Śrī Śyām Sundar feels alive as long as Śrī Priyā Jī (Rādhārānī), soft and tender like a flower, stays in front of his eyes. [1]
Thus, Śrī Priyā Jī [Rādhārānī] understands His feelings well, thus never separates from Him even for half a moment and remains always drenched in His love-sentiments. [2]
The fair-complexioned Śrī Rādhā, who is ever-young, is naturally expert in the divine pastimes of love and plunged in the ever-new tides of transcendental beauty. [3]
Śrī Hit Dhruvdās Ji says that the eyes of Śrī Śyām Sundar, immersed in love like fish in water, continuously play and ripple in the reservoir of Priyā’s form without pause. [4]