(Rag Kalyan)
Nav Nikunj Mandir Mein Pyari,
Piyahin Sikhavati Bina. [1]
Tann Bandhan Kalyan Manohar,
Ita Manadehu Pravina. [2]
Leta Sanbhari-Sanbhari Sughar Var,
Nagari Kahat Phabina. [3]
Shribithalabipul Binod Bihari,
Kau Janat Bhed Kavina. [4]
- Shri Vitthal Vipul Dev Ji, Shri Vitthal Vipul Dev Ju Ki Vani (30)
Shri Priyaji (Radha) is teaching Her beloved (Krishna) how to play Veena in the ever-new palace of Nikunja forest. [1]
The melodious Kalyan Raag is being sung. While playing the Veena, Lalji's [Krishna’s] mind is enchanted by the captivating form of Shri Radha. Shri Radha, who is an expert in playing the Veena, says to Krishna, “Please concentrate on the raga”. [2]
I am trying to cover up your off-key notes but it is not coming out well. [3]
Shri Vitthal Vipul says, Both of them are experiencing such nectar (while teaching and learning) that it is beyond the comprehension of even those poets who are connoisseurs of the rasa. [4]
Nav Nikunj Mandir Mein Pyari,
Piyahin Sikhavati Bina. [1]
Tann Bandhan Kalyan Manohar,
Ita Manadehu Pravina. [2]
Leta Sanbhari-Sanbhari Sughar Var,
Nagari Kahat Phabina. [3]
Shribithalabipul Binod Bihari,
Kau Janat Bhed Kavina. [4]
- Shri Vitthal Vipul Dev Ji, Shri Vitthal Vipul Dev Ju Ki Vani (30)
Shri Priyaji (Radha) is teaching Her beloved (Krishna) how to play Veena in the ever-new palace of Nikunja forest. [1]
The melodious Kalyan Raag is being sung. While playing the Veena, Lalji's [Krishna’s] mind is enchanted by the captivating form of Shri Radha. Shri Radha, who is an expert in playing the Veena, says to Krishna, “Please concentrate on the raga”. [2]
I am trying to cover up your off-key notes but it is not coming out well. [3]
Shri Vitthal Vipul says, Both of them are experiencing such nectar (while teaching and learning) that it is beyond the comprehension of even those poets who are connoisseurs of the rasa. [4]