(Kavitt)
Pyari Ju Ki Bhaunhani Ki Sahaj Maror Maanj,
Gayo Hai Maror Ryaun Man Mohan Ko Maai Ri. [1]
Aise Prem Ras Leen Tilhu Te Bhaye Cheen,
Jaise Jal Bin Kanj Rahai Murjhai Ri. [2]
Dheeraj Na Naikoo Dharein Nain Neh-Neer Dharain,
Bivas Pagni Or Dharayau Sees Jai Ri. [3]
Vyaakul Vihaari Lal Chitai Ank Bhare Baal,
Paaye Praan Tab “Dhruv” Mridu Musikaai Ri. [4]
- Shri Dhruvdas, Bayalees Leela, Shringar Shat (3.30)
O friend! In the graceful dance of Śrī Rādhā’s naturally curved eyebrows, even the heart‑stealer Kṛṣṇa’s heart has been twisted. [1]
Pyari Ju Ki Bhaunhani Ki Sahaj Maror Maanj,
Gayo Hai Maror Ryaun Man Mohan Ko Maai Ri. [1]
Aise Prem Ras Leen Tilhu Te Bhaye Cheen,
Jaise Jal Bin Kanj Rahai Murjhai Ri. [2]
Dheeraj Na Naikoo Dharein Nain Neh-Neer Dharain,
Bivas Pagni Or Dharayau Sees Jai Ri. [3]
Vyaakul Vihaari Lal Chitai Ank Bhare Baal,
Paaye Praan Tab “Dhruv” Mridu Musikaai Ri. [4]
- Shri Dhruvdas, Bayalees Leela, Shringar Shat (3.30)
O friend! In the graceful dance of Śrī Rādhā’s naturally curved eyebrows, even the heart‑stealer Kṛṣṇa’s heart has been twisted. [1]
So deeply absorbed in the nectar of Her love, He forgets His very existence, like a lotus wilting without water. [2]
Overwhelmed by love, the dam of His patience has burst, His eyes are shedding tears of love, and His forehead remains bowed in reverence to Śrī Rādhā’s sacred lotus feet. [3]
Śrī Dhruvdās Jī reveals that witnessing this unique state of beloved Bihārī Lāl (Kṛṣṇa), ever‑youthful Kiśorī (Rādhā) gently embraces Him with a smile, restoring life to His seemingly lifeless body, filling the beloved with full of joy once more. [4]