(Raag Malar)
Jhoolat Phulat Kunjavihari.
Dusari Or Kishor Vallabha Shri Vrishabhan Dulari. [1]
Kulkata Hansat Khasat Kusumavali Sundar Jhumak Saari.
Kabahun Pattari Jhullavati Gavati Pyari Hi Piya Rasiya Ri.
Dekhti Nain Safal Kari Khelat, Koti Vyas Valihari. [2]
- Shri Hariram Vyas, Vyas Vani, Uttarardh (321)
In Nikuṃja bower, Sri Kuṃjavihārī (Sri Krishna) is joyfully swinging on a swing, while on the other side, the youthful daughter of Vrishabhanu, Sri Radha Maharani, is gracefully seated. [1]
She laughs sweetly as the swing moves — her flower garlands slip from her neck, and her sari flutters gently in the breeze. Sometimes one sakhī swings her, sometimes another, all singing melodious songs of divine love in harmonious rhythm. Gazing upon this enchanting jhūlā-līlā (swing pastimes) of the divine couple, Sri Harirāma Vyāsa Ji’s eyes are filled with pleasure, and he repeatedly offers himself in loving surrender. [2]
Jhoolat Phulat Kunjavihari.
Dusari Or Kishor Vallabha Shri Vrishabhan Dulari. [1]
Kulkata Hansat Khasat Kusumavali Sundar Jhumak Saari.
Kabahun Pattari Jhullavati Gavati Pyari Hi Piya Rasiya Ri.
Dekhti Nain Safal Kari Khelat, Koti Vyas Valihari. [2]
- Shri Hariram Vyas, Vyas Vani, Uttarardh (321)
In Nikuṃja bower, Sri Kuṃjavihārī (Sri Krishna) is joyfully swinging on a swing, while on the other side, the youthful daughter of Vrishabhanu, Sri Radha Maharani, is gracefully seated. [1]
She laughs sweetly as the swing moves — her flower garlands slip from her neck, and her sari flutters gently in the breeze. Sometimes one sakhī swings her, sometimes another, all singing melodious songs of divine love in harmonious rhythm. Gazing upon this enchanting jhūlā-līlā (swing pastimes) of the divine couple, Sri Harirāma Vyāsa Ji’s eyes are filled with pleasure, and he repeatedly offers himself in loving surrender. [2]