(Raag Jhanjhauti)
Japai Chadhe Yugal Ko Rang.
Bhul Jaya Tribhuvan Sukh Pal Men, Nirakhat Dampati Ang. [1]
Tori Kani Kul Phare Ghunghat, Nain Nir Sur Bhang.
Lalit Ladaiti Nachai Gavai, Matavaran Se Dhang. [2]
- Shri Lalit Ladaiti, Shri Kishori Kripa Kataksh, Yugal-Anurag (36)
When a soul becomes completely immersed in the colours of divine love of the divine couple, Śrī Rādhā Kṛṣṇa, a single glimpse of the enchanting beauty of their forms makes all the pleasures of the three worlds fade from remembrance in an instant. [1]
Such a devotee breaks free from the conventions of family honour and worldly shame, tearing apart the veil of modesty. Tears of divine love continually flow from the eyes, and the voice falters as the throat becomes choked with emotion. Śrī Lalita Laḍaitī Jī says that such a lover, losing all awareness of oneself in divine intoxication, begins to dance and sing in divine ecstasy. [2]
Japai Chadhe Yugal Ko Rang.
Bhul Jaya Tribhuvan Sukh Pal Men, Nirakhat Dampati Ang. [1]
Tori Kani Kul Phare Ghunghat, Nain Nir Sur Bhang.
Lalit Ladaiti Nachai Gavai, Matavaran Se Dhang. [2]
- Shri Lalit Ladaiti, Shri Kishori Kripa Kataksh, Yugal-Anurag (36)
When a soul becomes completely immersed in the colours of divine love of the divine couple, Śrī Rādhā Kṛṣṇa, a single glimpse of the enchanting beauty of their forms makes all the pleasures of the three worlds fade from remembrance in an instant. [1]
Such a devotee breaks free from the conventions of family honour and worldly shame, tearing apart the veil of modesty. Tears of divine love continually flow from the eyes, and the voice falters as the throat becomes choked with emotion. Śrī Lalita Laḍaitī Jī says that such a lover, losing all awareness of oneself in divine intoxication, begins to dance and sing in divine ecstasy. [2]
